Wortmann said. “I feel like I have accomplished something – it’s
fulfilling.”
Wortmann noted he has pens in 35 states and four foreign
countries. A photo in his office area shows a field salesman Wortmann
used to work with presenting one of Wortmann’s pens to a Japanese
official he was trying to persuade to purchase his feed type. When the
salesman was getting ready to go the Japan, he was told it was proper to
present the Japanese with a gift and he decided one of Wortmann’s pen
would be perfect.
Wortmann quickly shows off his power equipment, a saw, a planer,
but the turning lathe is his favorite – his buddy. He compares his
workshop to a small sawmill where he can take bigger pieces of logs
and saw them to the size he wants for any project. The walls are lined
with shelving for his diverse collection of wood boards.
“I spend hours looking for ‘pretty’ wood, pieces which have a
unique design,” Wortmann said.
Picking up a piece of Hackberry, Wortmann points out the spalting
in the grain which occurs from moisture and environment. He has
found some which have purple spalting and are very rare and hard to
find. A neighbor woodcutter is always on the lookout for pieces with
this appearance and shares the wood with him. Pens made with this
type of wood grain sell quickly when he displays them at craft fairs
and show in the region, anywhere from Mitchell in South Dakota to
Fremont, a couple hours south of Crofton.
One special piece Wortmann has came from a cottonwood tree
in his pasture which was dropped during a tornado. The trunk was
rotten but way at the top of the tree were burls, which grew there after
an injury or disease to the tree and are a woodworker’s dream because
the patterns in the wood are eye-catching and create beautiful pieces
wherever used.
For his pens Wortmann starts with a block of wood about one-inch
square and four inches long. He first bores a hole, inserts a hollow tube
and goes to his ‘buddy’, the turning lathe to smooth out a barrel. For
other pieces. like the kaleidoscope he makes, he can carve out a design
on the barrel at the turning lathe.
Wortmann gets inspirations from woodworker magazines and that’s
where the kaleidoscope project started to take shape. He made 10 of
the scopes which were 12 inches long and he also makes a small handheld version only three inches long.
“The kaleidoscopic is very time consuming not only because of the
wood crafting but constructing the total piece is a slow process and
very difficult,” Wortmann said. After the barrel is made, the mirrors
have to be aligned inside and then the glass crystals placed. The large
scope is a beautiful piece but a little spendy and the smaller hand-held
size sell much better because of the price.
The easiest part of the scope construction was finding the glass
crystals. He visited a local stained-glass restorer near Hartington and
asked if he had any broken glass pieces from his work. The craftsman
said, ‘How much do you want?’, and took him behind his shop where
he had two-50-gallon drums full of glass pieces after restoring church
windows.
Crafting enough inventory for shows is a lot of work Wortmann
said. He probably leaves home with 50 pens but there’s other wood
pieces he creates and sells. There are the kaleidoscopes and sometimes
he has the old wood hammer blocks with pegs for children or during
the Christmas holidays he makes wooden Santa and evergreen trees.
He even polishes small rocks he collects during the year and gives
them away to children for their fish aquariums.
vWORTMANN continued on page 18
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